Yes to a rosy future

Aggiornamento: 16 dic 2021


Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Title: Yes to a rosy future

Photographer(s): Nicolas Righetti

Writer(s): Christian Brändle

Designer(s):

Publisher(s): Trolley Books, London, England

Year: 2012

Print run:

Language(s): Enlish

Pages: 46

Size: 15,5 x 15,5 cm

Binding: Hardcover

Edition:

Print: S.E.P.E.C. France

Nation(s) and year(s) of Protest: Syria, 2007

ISBN: 978907112423



Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007

Yes to a rosy future  photo book  Nicolas Righetti  protest Syria, 2007


Falling stylistically somewhere between Oriental baroque and Soviet monumentalism, the portraits of Bashar al-Assad have long transformed the streets of Syria into a surprising urban landscape. Nicolas Righetti, a faithful photographer of totalitarian icons, discovered Damascus during the president's last re-election: the capital was in the grip of a veritable pictorial excess. He then captured these propaganda images in their context and in their materials - damaged, crumpled, soiled. That was in 2007. Since then, Bashar al-Assad's speeches have become infamous. Confronted with the portraits of a triumphant power, his obstinate sentences resound with brutal cynicism to, in the end, reveal an entirely different portrait: that of a smiling repression. Postface by Christian Brändle (Director of the Museum of Design Zurich).
























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