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The Prison


 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

Title: The Prison

Photographer(s): Koto Bolofo, Claudia Van Ryssen-Bolofo

Writer(s): Koto Bolofo

Designer(s): Koto Bolofo, Rukminee Guha Thakurta, Gerhard Steidl, Sabine Hahn

Publisher(s): Steidl, Göttingen, Germany

Year: 2013

Print run:

Language(s): English

Pages: 112

Size: 29 x 37 cm

Binding: Hardcover

Edition:

Print: Steidl, Göttingen, Germany

Nation(s) and year(s) of Protest: South Africa, 1992

ISBN: 978-3-86930-600-1



 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013

 The Prison is a photo book by photographers Koto Bolofo, Claudia Van Ryssen-Bolofo, on the Prison in Robben Island South Africa published by  Steidl, Göttingen, Germany,2013


Having left South Africa at the age of four as a political refugee with his parents, Koto Bolofo returned to his home country with his wife in 1992, two years after Nelson Mandela had been released from prison. Bolofo got free access to the notorious and by now deserted prison of Robben Island, where Mandela had been held for the majority of the twenty-seven years of his confinement in a cell of barely 6 square meters in Section B.

The photographer and his wife eagerly began documenting the site’s abandoned interiors and surroundings, dreading the prison’s potential closure. Meanwhile, it was converted into a well-frequented museum in 1997 and included on the World Heritage List by UNESCO in 1999.

The black and white photographs of this volume conspicuously favour close-up depictions of details as opposed to general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock to Mandela’s cell which is so tiny it cannot be taken as a whole—all this is conveying the gloomy sense of claustrophobia and suppression that characterize the place. The camera is constantly searching for the few rays of light that penetrate the ubiquitous grimness and silence of cruelty.




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