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Revolcándonos entre las calderas

Aggiornamento: 28 gen


Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973


Title: Revolcándonos entre las calderas

Photographer(s): Carmen Benito

Writer(s): Carmen Benito

Designer(s): Carmen Benito, Mateo Barbuzzi

Publisher(s): Club del Prado, Buenos Aires, Argentina

Year: 2020

Print run: 200

Language(s):

Pages: 52

Size: 16 x 23 cm

Binding: Staples

Edition:

Print: hand bound by Azeta Guía

Nation(s) and year(s) of Protest: Chile, 2019

ISBN:



Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973

Revolcándonos entre las calderas photo book Carmen Benito on dictatorship in Chile 1973














































































































































































































Photographs taken by Carmen Benito in Santiago de Chile, between October and December 2019, in the midst of revolts against the social injustice and inequality that has been the result of years of neoliberal governments.

It's always a pleasure to see an autoproduction that document a protest, even in a small edition, this mean that young photographers like to shot real life, not just to be artist.











 
 

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