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P14311

Aggiornamento: 30 nov 2023


P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

Title: P14311

Photographer(s): Diego Di Niglio

Writer(s): José Afonso Jr., Pablo Porfírio

Designer(s):

Publisher(s): Editora Origem, São Paulo, Brazil

Year: 2018

Print run: 1000

Language(s): Portuguese, English

Pages: 164

Size: 15 x 20 cm

Binding: Hardcover

Edition:

Print: IPSIS, São Paulo, Brazil

Nation(s) and year(s) of Protest: Brazil, 1964

ISBN:



P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311, is a photo book by photographer Diego Di Niglio  on Brazil military regime , published by Editora Origem, São Paulo, Brazil,2018

P14311 is the registration number of the communist activist Gregório Bezerra in the archives of the Department of Political and Social Order - DOPS in Recife, an organ of the Brazilian government, mainly used during the Estado Novo and then during the military regime of 1964, whose aim was to control and repress political and social movements opposed to the regime in power.

The visual narrative produced is based on the construction of micro-stories, focusing on the particular trajectories and at the same time on the collective value of the people portrayed, subjects who actively experienced the era in the first person.

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